Jon Benjamin), a country singing career for Cheryl (voiced by Judy Greer), a pregnant Lana (voice by Aisha Tyler), and just about a million other possibilities (or, it could very well be all in Sterling’s head, as this was just what he was envisioning they could do with the drugs). ![]() The rest of the episode plays out like an extended preview of the season to come: more Burt Reynolds-influenced madness, a pet tiger perhaps for Sterling (voiced by H. An office wall opens to reveal an Everest-scale mountain of blow, and they reach the only logical (for Archer) conclusion: start a Mexican drug cartel. Krieger) find themselves in the shelled-out office, reflecting on the years of outrageous adventures, positing their next career moves. The group (Sterling, Mallory, Lana, Cyril, Pam, Cheryl, Ray, and Dr. In White Elephant, the season opener, ISIS is blown to bits and all who work within are apprehended by the FBI and ultimately let go under the condition they can no longer operate as a spy agency ever again. Reed recently said he had played out the espionage antics after four (glorious) seasons and wanted to shake up the Etch-a-Sketch. In this, the fifth season of Archer, series creator and writer Adam Reed makes a transition for the entire series, using what could best be described as the “morph,” in which familiar objects are changed before our eyes into something different altogether. There’s also the “wipe,” (loved by George Lucas) which essentially raises the curtain from one scene and opens to another. Then there’s the “fade,” which dissolves one scene into the next. There’s the standard “cut,” perhaps the most commonly used, which abruptly ends one scene and starts another. In film, there are several ways in which you can lead an audience from one scene to the next.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |